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dc.contributor.authorCinelli, Noemi
dc.contributor.authorSergio, Ivan
dc.date.accessioned2024-04-11T06:54:28Z
dc.date.available2024-04-11T06:54:28Z
dc.date.issued2023
dc.identifier10.5209/aris.85522
dc.identifier.issn11315598
dc.identifier.urihttps://hdl.handle.net/20.500.12728/11169
dc.description.abstractThe goal of this article is to contribute to the analysis, discussion and systematization of the Italian-Chilean nineteenth-century artistic relations, offering new information about the artistic career of Giovanni Mochi, Florentine painter whose activity is documented in Italy, France, and Chile during the 19th century. Specifically, through a historical contextualization of the years of his arrival in Chile (1876), we will focus on the analysis of two thesis: the first one will inform about Mochi's pictorial production in Florence, Rome and Paris; the second one revolves around the managerial activities de-veloped in Chile. For this purpose, we processed information coming from documents of the Chilean Ministerio de Instruccion Publica, journalistic sources from Italy and Santiago, catalogues from exhi-bitions and shows celebrated in the three mentioned countries since 1851, first year of Mochi's activity as a painter.es_ES
dc.language.isoenes_ES
dc.publisherUNIV COMPLUTENSE MADRID, SERVICIO PUBLICACIONESes_ES
dc.subjectGiovanni Mochies_ES
dc.subjectartistic relations Italiaes_ES
dc.subjectChilees_ES
dc.subject19th centuryes_ES
dc.titleFlorentine painter Giovanni Mochi between Italy and Chile (19th century). &DLANGBRAC;An intelligent artist and a good man&drangbrac;es_ES
dc.typeArticlees_ES


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