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dc.contributor.authorCinelli N.
dc.contributor.authorLizarazo L.C.S.
dc.contributor.authorRuiz I.S.
dc.date.accessioned2020-09-02T22:14:53Z
dc.date.available2020-09-02T22:14:53Z
dc.date.issued2017
dc.identifier10.4067/S0718-04622017000100129
dc.identifier.citation1, 515, 129-146
dc.identifier.issn07180462
dc.identifier.urihttps://hdl.handle.net/20.500.12728/4028
dc.descriptionStarting in the 18th century, Chile experienced a change in taste and artistic trends, well attested by the development of court portrait as genre independent from religious portrait. It spread particularly among those elites of intellectuals, clerics, and politicians, who wanted to express their individuality in relation to the Spanish Monarchy, and who found in portrait painting a vehicle to proclaim their emancipation.
dc.language.isoes
dc.publisherUniversidad de Concepcion
dc.subjectChange of taste
dc.subjectCharles III of Bourbon
dc.subjectChilean elites
dc.subjectPortrait of court
dc.titleCourt Portrait of 18th Century Chilean elite: Artistic taste, style, and iconography of a changing society [El retrato de ostentación de las élites chilenas del siglo XVIII: Gusto artístico, estilo e iconografía de una sociedad en transformación]
dc.typeArticle


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