The novo-hispanic Corpus Christi of 1539. Dramatization of a defeat in three colonial representations [El Corpus Christi Novohispano de 1539. Teatralización de una derrota en tres representaciones coloniales]

dc.contributor.author	Sagredo P.M.
dc.contributor.author	Araya A.D.
dc.date.accessioned	2020-09-02T22:27:36Z
dc.date.available	2020-09-02T22:27:36Z
dc.date.issued	2013
dc.identifier.issn	07165811
dc.identifier.uri	https://hdl.handle.net/20.500.12728/6134
dc.description	Traditionally has been approached the study of evangelist theater or methodological giving individuality to each of these representations, or analyzed from the perspective of the subgenera theater. However, a comparison to dramatizations that shared a given historical context can provide more items for analysis and interpretation. Our hypothesis is that, although most of these representations had a relatively structured and traditional argument, in its articulation colonial New Spain not only permeated the pre-Hispanic indigenous and colonial features but also allow relieving some social practices that were staged by natives and Europeans.
dc.language.iso	es
dc.subject	Colony
dc.subject	Evangelist theater
dc.subject	Motolinia
dc.subject	New Spain
dc.title	The novo-hispanic Corpus Christi of 1539. Dramatization of a defeat in three colonial representations [El Corpus Christi Novohispano de 1539. Teatralización de una derrota en tres representaciones coloniales]
dc.type	Article

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