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dc.contributor.authorMir Á.R.
dc.date.accessioned2020-09-02T22:23:00Z
dc.date.available2020-09-02T22:23:00Z
dc.date.issued2015
dc.identifier.issn00172715
dc.identifier.urihttps://hdl.handle.net/20.500.12728/5334
dc.descriptionAnalyses of the patronage work by the chapter of the Sevillian cathedral in relation with some unpublished works of the altarpieces maker, sculptor and decorator Bernardo Simón de Pineda. The confluence of both factors between 1660 and 1690 approximately was the key of the Baroque plenitude in the Sevillian cathedral and in its huge artistic influence ambit.
dc.language.isoes
dc.publisherFundacion Lazaro Galdiano
dc.subjectBaroque plenitude
dc.subjectBernardo Simón de Pineda
dc.subjectChapter of the Sevillian cathedral
dc.subjectOrnament
dc.subjectPatronage
dc.titlePatronage capitulate and Baroque plenitude: Bernardo Simón de Pineda in Seville Cathedral [Mecenazgo capitular y plenitud barroca: Bernardo Simón de Pineda en la catedral de Sevilla]
dc.typeArticle


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