Court Portrait of 18th Century Chilean elite: Artistic taste, style, and iconography of a changing society [El retrato de ostentación de las élites chilenas del siglo XVIII: Gusto artístico, estilo e iconografía de una sociedad en transformación]

dc.contributor.author	Cinelli N.
dc.contributor.author	Lizarazo L.C.S.
dc.contributor.author	Ruiz I.S.
dc.date.accessioned	2020-09-02T22:14:53Z
dc.date.available	2020-09-02T22:14:53Z
dc.date.issued	2017
dc.identifier	10.4067/S0718-04622017000100129
dc.identifier.citation	1, 515, 129-146
dc.identifier.issn	07180462
dc.identifier.uri	https://hdl.handle.net/20.500.12728/4028
dc.description	Starting in the 18th century, Chile experienced a change in taste and artistic trends, well attested by the development of court portrait as genre independent from religious portrait. It spread particularly among those elites of intellectuals, clerics, and politicians, who wanted to express their individuality in relation to the Spanish Monarchy, and who found in portrait painting a vehicle to proclaim their emancipation.
dc.language.iso	es
dc.publisher	Universidad de Concepcion
dc.subject	Change of taste
dc.subject	Charles III of Bourbon
dc.subject	Chilean elites
dc.subject	Portrait of court
dc.title	Court Portrait of 18th Century Chilean elite: Artistic taste, style, and iconography of a changing society [El retrato de ostentación de las élites chilenas del siglo XVIII: Gusto artístico, estilo e iconografía de una sociedad en transformación]
dc.type	Article

Repositorio Académico