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dc.contributor.authorBaccelliere, Pablo Ignacio Vallejos
dc.date.accessioned2024-04-09T23:21:56Z
dc.date.available2024-04-09T23:21:56Z
dc.date.issued2023
dc.identifier10.4067/S0718-23762023000100045
dc.identifier.issn0716498X
dc.identifier.urihttps://hdl.handle.net/20.500.12728/10374
dc.description.abstractThis article analyzes two poems and a video-installation that stress the notions of materiality and texture related to contemporary Information and Communication Technology (ICT). These technologies (for example: smartphones, notebooks and the algorithms that compose their programs and applications), mediate the relationship between humans and the world (Rodríguez, 2019). Thus, they determine and mold this relationship in constant feedback with the user, through reception, consumption and data production. Concepts as materiality are complexified, as electronic gadgets merge the image with the object, creating hybrids as the screen-image (Martínez, 2016). Because of this, a reconceptualization is needed in the contemporary context of the digital culture. Thus, questions about the surface arises (Tello, 2018), about the texture of the objects mediated by digital technologies, and about how the human being relates with them via new ways of apprehend the world through the senses. The literary and artistic works to be analyzed on this article are the digital poem Zapato incómodo (Gárate, 2011), the printed poem "id" (Correa-Díaz, 2016), and the Thomas Hirschhorn's video-installation Touching Reality (2012). © 2023 Universidad de Talca. All rights reserved.es_ES
dc.language.isoeses_ES
dc.publisherUniversidad de Talcaes_ES
dc.subjectcommunicationes_ES
dc.subjectDigital culturees_ES
dc.subjectimagees_ES
dc.subjectscreenes_ES
dc.subjecttechnologyes_ES
dc.titleTouching Without Feeling: Materiality, Texture, and Screen-imagees_ES
dc.title.alternativeTOCAR SIN PALPAR: SOBRE LA MATERIALIDAD, LA TEXTURA Y LA IMAGEN-PANTALLAes_ES
dc.typeArticlees_ES


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