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dc.contributor.authorPinto Carvacho, Karem
dc.date.accessioned2023-02-27T19:03:39Z
dc.date.available2023-02-27T19:03:39Z
dc.date.issued2022-12
dc.identifier10.5195/ct/2022.553
dc.identifier.issn21690847
dc.identifier.urihttps://hdl.handle.net/20.500.12728/10242
dc.description.abstractThe aim of the article is to analyze La Bandera de Chile by Elvira Hernández, in its formal and semantic dimension. The essay proposes that the montage of images, sustained in the tension and complement of its two basic figures, irony and sentence, compose a poetics that represents and encourages the process of social insurrection. The analysis reviews a selection of three representative images of that trajectory, exposed in terms of crisis, political consciousness and liberation.es_ES
dc.language.isoeses_ES
dc.publisherUniversity Library System, University of Pittsburghes_ES
dc.subjectChilees_ES
dc.subjectPoetryes_ES
dc.subjectpolitical violencees_ES
dc.subjectrevoltes_ES
dc.subjectwomen writinges_ES
dc.titleInsurrectionist Poetics. The Multiple Images of a Rebel Emblem in La Bandera de Chile by Elvira Hernándezes_ES
dc.title.alternativePoética insurrecta. Las múltiples imágenes de un emblema rebelde en La Bandera de Chile de Elvira Hernándezes_ES
dc.typeArticlees_ES


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